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Elegy Written in a Country Churchyard - 04
English Literature

Last Update: 27 October 2025

Elegy Written in a Country Churchyard - 04

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    4. Major Figures of Speech: of Speech: of Speech :-

    1. Metaphor

    • “Knell of parting day” → the end of day compared to a funeral bell (death).

    • “Narrow cell” → the grave as a coffin or prison.

    • “Lowly bed” → the grave as a bed of eternal rest.

    • “Paths of glory lead but to the grave” → human ambition ends in death.

    • “Precincts of the cheerful day” → life represented as a bright, enclosed space.

    2. Personification

    • “Stillness holds” (Stanza 2) → silence personified as holding the air.

    • “The moping owl does to the moon complain” → owl given human feelings.

    • “Chill Penury repressed their noble rage” → poverty acting like a tyrant.

    • “Heav’n did a recompense as largely send” → Heaven as a just giver.

    • “Melancholy marked him for her own” → personified as a companion.

    3. Symbolism

    • Churchyard: equality in death, humble dignity.

    • Owl: solitude, death, mourning.

    • Yew tree: traditional symbol of death and immortality.

    • Gems in ocean / Flowers in desert air: wasted genius and unseen beauty.

    • Ashes with fire: lingering human passion beyond death.

    • Sun / light: life, truth, renewal.

    • Darkness / night: death, mortality, oblivion.

    4. Allusion

    • Hampden: symbol of political courage.

    • Milton: poetic genius.

    • Cromwell: power and tyranny.

    • Christian imagery: Heaven, Mercy, Father, God.

    • Classical echoes: elegiac meditation modeled on ancient epitaphs.

    5. Rhetorical Questions

    “Can storied urn or animated bust / Back to its mansion call the fleeting breath?”

    “Can Honour’s voice provoke the silent dust?”

    “Or Flatt’ry soothe the dull cold ear of Death?”


    👉 Used to emphasize the futility of worldly pride against death.

    6. Antithesis & Contrast

    • “Virtues confined, crimes confined” (Stanza 17) → obscurity limits both good and evil.

    • “Mute inglorious Milton” → paradoxical combination of silence and greatness.

    • “Paths of glory… grave” → ambition vs. mortality.

    • “Pleasing anxious being” → irony of life’s joys mixed with cares.

    7. Imagery & Sensory Appeal

    • Sound imagery: “beetle wheels his droning flight,” “cock’s shrill clarion,” “tinklings lull the distant folds.”

    • Visual imagery: twilight landscape, rugged elms, babbling brook, nodding beech.

    • Kinesthetic imagery: plowman plodding, harvest work, children climbing their father’s knees.

    8. Euphemism

    • “Sleep” for death.

    • “Narrow cell” for grave.

    • “Lowly bed” for burial place.

    9. Pathetic Fallacy

    • “Wood smiling as in scorn” → nature reflecting human emotions.

    10. Parallelism & Repetition

    • “Full many a gem… Full many a flow’r…” → rhetorical emphasis.

    “Nor up the lawn, nor at the wood…” → parallel construction stressing absence.

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